By Beverly Andrews
Sometimes, films that were ridiculed upon their release deserve a second look. Under the Cherry Moon, directed by and starring Prince at the height of his fame, is one such film. Initially derided by critics, it is now being shown in a newly restored print as part of the BFI’s Film on Film season—and it turns out to be a stunning revelation.
Originally shot in color against Prince’s wishes, Under the Cherry Moon was ultimately released in shimmering black and white—an artistic choice that enhances its dreamy, stylized mood. The film follows two young Black hustlers navigating the opulence of the French Riviera: Christopher Tracy, played by Prince, and Tricky, portrayed by Jerome Benton. The duo is on the hunt for wealthy young women vacationing in the area, and soon they cross paths with a striking heiress, played by Kristin Scott Thomas in her film debut. As both men compete for her affection, tensions rise—but from the beginning, it’s clear that Christopher is the one who will capture her heart.
Although panned by critics upon its 1986 release, Under the Cherry Moon proves on second viewing to be a playful, charming film featuring a star who doesn’t take himself—or the film—too seriously. Prince seems to be enjoying the opportunity to poke fun at the carefully cultivated image he established in his megahit Purple Rain, while also making subtle, thought-provoking statements about how young Black men are perceived in elite, affluent spaces.
As a director, Prince also infuses the film with a surprising homoerotic undertone. The friendship between Tricky and Christopher carries as much emotional weight as the budding romance with Scott Thomas’s character. And speaking of Scott Thomas—she absolutely dazzles. In a role that could have been forgettable, she delivers a performance that leaves a lasting impression.
Adding to the film’s allure is a sublime soundtrack, highlighted by the hauntingly beautiful track “Sometimes It Snows in April” from Prince’s Parade album. Watching the film with a sold-out audience, one could almost feel Prince smiling down, as if to say, “See, I always had a plan.” And those of us watching smiled back, as if to respond, “Yes, I think I see it now.”
Under the Cherry Moon is not a perfect film—it has messy sections and moments that don’t quite come together—but it remains a fascinating glimpse into the vision of a musical genius.
Beverly Andrews, 22nd July 2025.
